Friday, November 27, 2015

World Famous Vienna Boys’ Choir to Visit Penn State’s Eisenhower Auditorium

Penn State hosts a world treasure and a pure holiday treat to start the Christmas season, as the world-famous Vienna Boys’ Choir will present “Christmas in Vienna” at 7:30 p.m. Tuesday, December 1, in Eisenhower Auditorium. The Center for the Performing Arts at Penn State presentation will feature Austrian folk songs, classical masterpieces and holiday favorites.

The Vienna Boys’ Choir is the modern-day descendant of the boys’ choirs of the Viennese Court, dating back to the late Middle Ages. The ensemble was, for practical purposes, established by a letter from Holy Roman Emperor Maximilian I in 1498, instructing court officials to employ a singing master, two basses and six boys. Numbering between 14 and 20, the singers were chosen from throughout the empire to provide musical accompaniment for Catholic masses.

Throughout the centuries, the choir has worked with renowned composers, including Mozart, Anton Bruckner, Johann Joseph Fux, Antonio Salieri, Heinrich Isaac, Schubert, Hofhaimer, Biber, Caldara, and Gluck. Before they became celebrated composers, Schubert and Jacobus Gallus were members of the ensemble.

The Wiener Sängerknaben (Vienna Boys’ Choir or Vienna Choir Boys) is a choir of trebles and altos based in Vienna, and is one of the best known boys’ choirs in the world. The boys are selected mainly from Austria, but also from many other countries in Europe plus the United States, Ireland, Malaysia, Japan and South Korea.

Ranging in age from 10 to 14, the organization’s 100 choristers are divided into four equal touring ensembles, aptly named after Austrian composers associated with the choir’s history, which include Bruckner, Haydn, Mozart, and Schubert. Combined, the four choirs perform about 300 concerts each year before almost 500,000 people. Each group tours for about nine to eleven weeks. This performance at Penn State will feature the Mozart choir, led by choirmaster Bomi Kim.

The 520-year-old Vienna Boys’ Choir, one of the three imperial Austrian musical groups along with the Vienna Philharmonic Orchestra and the Vienna State Opera, has maintained many traditions for centuries. But sometimes even traditions need to give in to the many changes taking place in our society and in the world around us.

In September 2012, Kim was appointed conductor of the Vienna Boys’ Choir, based on the recommendation of her former professor Erwin Ortner, who was once himself a member of the choir. The selection made Kim the first ever female and the first ever Asian conductor to guide one of the choirs. “It’s definitely a wonderful job, but it’s not so easy because the quality must be good,” she said. “But I think it’s much better for children – I can feel that. I feel like a mother for those kids.”

After graduating from Yon Sei University in Seoul, Korea with a major in concert choir, Kim went to Regensburg in Bavaria to study church music. She then enrolled in the University of Music and Performing Arts in Vienna and earned her master’s degree in choir conducting, vocal music and Gregorian chants. She is currently working on her doctoral dissertation on early church Modi, according to her biography.

A doctoral student at the University of Music and Performing Arts in Vienna, Kim has traveled with the Vienna Boys’ Choir to perform in Japan, China, Arabia and Germany. This is her first tour to the United States with the choir.

“It’s now a very international choir – we have one Japanese boy, one Korean boy, one Irish boy, and one from Australia,” Kim said. “Because we are always on tour, we give auditions everywhere. That’s why we are so international. When a child wants to sing, he can come to me, and we can have an audition. For example, I can give an audition in Pennsylvania – why not?

Included in the program are Claudio Monteverdi’s “Ave Maria,” Franz Schubert’s “Serenade,” Wolfgang Amadeus Mozart’s “Praise the Lord,” and Aria No. 20 from George Frideric Handel’s “Messiah.” Holiday carols include “Joy to the World,” “Feliz Navidad,” “Jingle Bells” and “O Holy Night.”

“For the first part we will be singing European music by Bach, Mozart, Schubert and others,” Kim said. “And then for the second part we will sing American Christmas songs and European Christmas songs – and often in German.”

With each and every performance, Kim is very animated in her direction, and she always anticipates enthusiasm and participation from the audience. “Every concert is important, and every single audience is important for us,” she said. “We usually plan an encore song, so I expect and want the audience to sing – they must sing with us. They must sing with us really loud.”

Sunday, November 15, 2015

Blues Act Robert Randolph & The Family Band Creating New Sounds and Bringing Fans Joy

Led by pedal steel guitarist Robert Randolph, national blues act, the Family Band ,is comprised of his actual family members: drummer Marcus Randolph, bassist Danyel Morgan, and vocalist Lenesha Randolph, together with guitarist Brett Haas. The group’s sound is inspired by successful 1970s funk bands such as Earth, Wind & Fire and Sly & the Family Stone.  Some of Randolph’s musical influences growing up included Stevie Ray Vaughn, the Allman Brothers, Al Green, and Jimi Hendrix.   

Born and raised in northern New Jersey, Robert Randolph grew up in a church playing music and watching others play music. He was trained as a pedal steel guitarist in the House of God Church and makes prominent use of the instrument in the band’s music. The instrument is referred to in many African-American Pentecostal churches as Sacred Steel. Randolph was discovered while playing at a sacred steel convention in Florida.

In his adolescent years before he was discovered by the secular community, Randolph himself said he was almost completely unaware of non-religious music, saying he had never heard of artists like Buddy Guy or Muddy Waters. After growing up and playing in church, Randolph formed the band in 2001. “From there we started playing in small bars in New York and one thing led to the next and here we are today,” he said.

Robert Randolph & the Family Band first gained national attention with the release of the album “Live at the Wetlands” in 2002. The band followed with three studio recordings over the next eight years, with “Unclassified,” “Colorblind,” and “We Walk This Road.” The band has put on unforgettable performances at such festivals as Bonnaroo, Austin City Limits, and the New Orleans Jazz and Heritage Festival. Randolph’s prowess on his instrument garnered him a spot on Rolling Stone’s “100 Greatest Guitarists of All Time” list, and also attracted the attention of such music legends as Eric Clapton and Carlos Santana, who have collaborated with him on stage and in the studio.

Randolph and his band love to experiment with different styles and try to mix them all together between the blues, classic rock, gospel and funk. It brings them a sense of joy and happiness to get everyone singing and dancing, and they always strive to bring that to the table and just hope that people enjoy themselves. “One thing musicians love to do is to go out and perform for their fans,” Randolph said. “There’s something about going on stage and performing and playing – it’s what we all live for. Once we’ve created new songs and new sounds, playing on stage and bringing fans joy is what brings us joy.”

Robert Randolph & the Family Band’s most recent album, 2013’s “Lickety Split” features 11 original compositions, plus a stomping cover of “Love Rollercoaster” by the Ohio Players. The record was produced by Robert Randolph & the Family Band, Danyel Morgan, Marcus Randolph, Tommy Sims, Drew Ramsey, and Shannon Sanders. Engineered by the legendary Eddie Kramer (Jimi Hendrix, Led Zeppelin), the album features special guest appearances from Trombone Shorty and Carlos Santana.