Well
known for popular music, standards, show tunes, and jazz, legendary jazz and pop singer Tony Bennett is perhaps
best known for his
signature song “I Left My Heart in San Francisco,” recorded in 1962.
Still
hip with audiences young and old at age 87, the iconic pop and jazz crooner has
performed for more years and at a higher level of excellence than perhaps any
other artist in popular American music. Bennett reached an artistic peak in the
late 1950s with albums such as “The Beat of My Heart” and “Basie Swings,
Bennett Sings” with the Count Basie Orchestra. His career then suffered a
downturn during the height of the rock music era, but regained popularity in
the late 1980s and ‘90s. Most recently, Bennett has experienced a kind of a
renaissance, after his various duet albums with modern rock singers.
During
his illustrious six-decade career, Bennett has won 17 Grammy Awards, two Emmy
Awards, and has sold over 50 million records worldwide. Aside from music,
Bennett is also an accomplished painter, with works on permanent public display
in several institutions. He is the founder of the Frank Sinatra School of the
Arts in New York City.
Bennett
recalls growing up in the Depression, a time when there was not a lot of money
to spend on entertainment. If you bought a record you had to make sure that the
entire family would enjoy it. “I remember one of the first records I purchased
was of Enrico Caruso, and I had an uncle who was connected to Broadway so I got
to see theatrical productions as a result,” he said. “But it was jazz music
that hit me hard and the first time I heard it I just fell in love with it and
feel that way now. It's America's classical music and it's an art form that we
invented in this country.”
After
being a foot solider in World War II, Bennett came home and was fortunate
enough under the GI Bill of Rights to be able to attend classes at The American
Theatre Wing, where one of his vocal coaches, Mimi Speer, gave him some advice
that greatly influenced him as a singer.
“She told me not to imitate any other singers as then I would just
become one of the chorus and instead told me to listen to jazz musicians that I
admired and try to emulate their instrumental style,” he said. “I have always
loved the pianist Art Tatum as he had a very unique style where he would build
each song into its own finale layer by layer, creating a mini-monument of each
song he performed; and I studied his style and used that in my own song
performances.”
Throughout
his extraordinary career, Bennett has had the pleasure to record and perform
with a wide array of artists, including Judy Garland, K.D. Lang, and most
recently Amy Winehouse and Lady Gaga, with whom he has recorded a complete
album, which will be released in September. But if there is one artist Bennett
regrets never having the honor to perform with, it’s a certain New Orleans jazz
legend. “I will say that the one performer I never got a chance to sing with
and would have loved to have had that opportunity is Louis Armstrong,” he said.
“He was a consummate performer and he truly taught us all how to sing.”
When
Bennett signed with Columbia Records in 1950 his premise from the beginning was
to create a ‘hit catalog’ and not just go after ‘hit records’ – many of which
were novelty songs that would be popular for a relatively short time and then
be instantly forgotten. A few years ago, Columbia released the biggest boxed
set ever of Bennett’s work and when going over all the music for the set, he
was so thrilled that there wasn't a single track that he felt didn't belong. “I
fought pretty hard over the years to only record the best popular music I could
find,” he said. “I think not compromising on quality is really something I
consider a career highlight.”
He
doesn’t perform as much now as when he was first starting out over six decades
ago, when he had to sing seven shows a day at the Paramount Theatre, but the
thrill and spontaneity of being in front of a live audience is still what he
loves best. “Being on the road for so many decades has given me an education of
the world that I would never be able to have achieved any other way,” Bennett
said. “And as a visual artist, I have painted and sketched in all the cities
and countries that I have travelled to, so that has been a great advantage; and
to have been able to go to all the magnificent museums and art galleries around
the world.”
Bennett
has performed in Pennsylvania many times through the years and always loves
coming back to the area. “I get a chance to do some sketching if I can while I
am here,” he said. “It’s a very warm and welcoming place to perform for very
intelligent audiences.”
With
a career that spans seven decades, Bennett still performs for all the same
reasons he did when he began this musical journey; and he shows no signs of
slowing down. “I just love it – as much today as when I was first starting
out,” he said. “I think it is a very noble profession to perform for people and
for a few hours they forget their own problems, and if they leave the show and
feel good, that to me is a great compliment.”